andreas reihse is well known since 1994 in his role as musician with kreidler. sometimes he releases club music, for example using his alias april or with detlef weinrich (kreidler, tolouse lowtrax) as binford on labels like italic, onitor or smoothrooms. he also composed soundtracks for artist movies and installations (rosemarie trockel, maximilian zentz zlomowitz, thea djordjadze, andreas gursky, frances scholz/mark von schlegell, among others). romantic comedy is music for dark clubs, for places without much light and oxygen – its driving, percussive dance music. a comedy in six acts: from l.a. to düsseldorf and back. music and lyrics? - pop goes my heart! - of course its a romantic comedy, a bittersweet romance full of memories and a bit of sorrow. >der lange weg nach düsseldorf< the title reminds of mittagspauses der lange weg nach derendorf, derendorf, the district of düsseldorf where andreas reihse and stefan betke / pole in the late 80ies shared a rehearsal room. langeweg also was the adress of the studio of klaus dinger in zeeland. the titles of the other pieces refer to dubious characters that show that the trip on the west coast makes stops in manchester, milano, brussels and london without forgetting charlottenburg and williamsburg. places that hold up against oblivion and reinvent themselves. your club needs you. the cover was designed by artist thea djordjadze

mad limited edition of 200 copies only in red vinyl ! original plus remixes by munk, moullinex, social disco club & severino (horse meats disco) ! 1st come, 1st served !

nice price deal !!!

nice price deal !!! nightspot is a catchy, ny club anthem that mixes disco, french house and electro house. beg to differ (roy dank & nick chacona) do a stripped down instrumental disco dub remix. the b-side is a cool electrofied remix by ulysses of stephanie all night.

escort have been setting dance floors ablaze with their disco-infused beats, irresistibly catchy hooks and seductive live show since releasing a series of 12 inch singles in 2006. the 17-member disco orchestra, founded by producers eugene cho and dan balis, and fronted by lead singer adeline michele, features an incredible cast of musicians who have played with everyone from indie-rock titans arcade fire to avant-classical luminaries alarm will sound. >cameleon chameleon< is a theatrical masterpiece about the french serial impostor frederic bourdin, set to a beat that is equal parts thriller and the tom tom club.

deep series is back! the third deep series features a fascinating symbiosis of two individuals: ekkohaus and santos resiak. the two of them started to work on this project in 2009 and are now finally ready to share it with the rest of the world. during that time, ekkohaus made a splash with a whole array of top releases e.g. 2020 vision, circus company and cargo edition. santos resiak was also having a blast – e.g. after his last release at mothership. the three tracks on the new deep series fuse together the artists still unbroken enthusiasm for deep sounds in one melodic common denominator. >thanx but no< is a homage to the saxophone (btw: played live by robert wuerz). heavy with groovy loops the track creates a free floating ambience reminiscent of a jazz club in new orleans or a night club on an early morning in berlin.
supported by: agnes, dan drastic, dj terry, frank roger, huxley, julietta, kate simko, laurent garnier, miss jools, mr.g, mr. statik, nekes, onur ozer, osunlade, p.toile, m.a.n.d.y, raresh, ray okpara, reboot ...

his first single >dooms night< (1999) sold more than 250.000 copies - now he returns with a big club belter on lektroluv, including remixes by tocadisco, sound of stereo and the drill!

played and supported by speedy j, luke slater, adam x, perc,tommy four seven, dino sabatini, shifted, dvs1, samuli kemppi, sp-x, brendon moeller, norman nodge, pfirter, markus suckut, jonas kopp, obtane, dadub, cio d or and more.
features series start from here, the first of all, open repitch. the rebirth of the well-known fusion ascion and d. carbone. a unique sound suitable for the club and listening. irradial is a industrial-hybrid. walker smells like oldschool but totally redesigned. glare is an endless trip. mike parker version of walker takes you over, hypnotic. the name features come from the surrealistic artworks that will accompany us throughout the series. these mix the physical traits of the artists face with others, a face that looks like a distorted view of someone in our thoughts with features not well defined. to collect.

french housemusic legend dimitri from paris is back! his last e.p. on gomma became a favorite of djs from soul clap to danny krivit, the magician and horse meat disco. now this is the second ep made with dj rocca. italian superproducer with releases on classic, rekids and international feel (who also releases as ajello and crimea x and plays the flute on this release) basically they do early 90ies hip house and electroboogie. including a cover of the pet shop boys >domino dancing< (feat. tim benton) and the dancefloor burner ero disco theme. hits.

the eraly years of a decade are good times for exploration, just like in 1993 when we (alex & sasa) first started working together. we rented a huge loft space on ave b & 2nd st. in the east village in manhattan. the winter was tough, we had 16 snow storms and due to a landlord who hated everybody, we had our heating turned off except for a few hours in the morning, sometimes not even that... the only way to stay warm was to wear hats, gloves and scarves the whole winter... but that was fine because nightlife was a lot of fun. there was a good club/party every night. right below where we lived was one of the best after hour clubs called >save the robots<. but one of my favourite parties was >sugar babes< which was at the cbgbs gallery space right next door to cbgbs, every monday night. the dj used to sample parts of the records he was mixing and then just play the loop of the sample and alongside was a drummer playing to it. it was really inspiring. so we wanted to go back to this idea of sound assembly and create a new series for us to work with called >skematics< its like a diagram or manual to help understand the interconnections between the odd parts we find and assemble, an imaginary manual for a new decade that has not been musically defined yet

ultraschall is an homage to the first big techno club in munich. the owners of harry klein were part of the old ultraschall, which has a unique legendary status nowa¬days. the older generation in particular often long for the good old days. yes those times shouldnt be forgotten, especially not in terms of sound, but its also important to move on and attempt new things. like supporting vinyl, going to a who¬lefood shop or ending war. ok that might sound like a bro¬ken record, but how about spending less time on facebook and actually with your friends, cooking for your parents or organizing a break dance battle in your backyard? daniel takes us on a journey through the past and back to the future again. a charming mixture of laid-back grooves combined with some rough n ready rave moments make this a rapturous trip, no matter what time it is. track names are a really interesting element of music. some artists dont care about them at all and call their tracks a1 or something non-descript. yet many titles can be really funny, others made up words, and some corre¬spond to current events or times. some just really fit the sound. if you lose something, in general its a pretty nasty and unsettling feeling. but you have to deal with bad luck when it strikes. losing something can teach you an im¬portant lesson, or simply show you what it means to be unfortunate and down. not knowing the lows as well as the highs wont allow you to evaluate life very well. most important is to really feel and be yourself, despite the ups and downs.

11 track double vinyl album from new mark broom and james ruskin supergroup ! limited initial run on marbled grey vinyl - similar look to the recent sfbsf003 surface 12inch full picture sleeve. the project, knows as the fear ratio, has seen two of the uks finest proponents of no-nonsense, immaculately sculpted techno locked in the studio together. these sessions have already borne three 12 inch titles - no time soon, erotic misery and night nurse – two of which were released on ruskins blueprint records, with the other pressed up on brooms beard man imprint. the fear ratio moniker was adopted following the release of these club-focused 12s, with the album project honing in on more abstract and experimental textures. ruskin revealed details about the project in an interview earlier this year. he said a live fear ratio project was also in the works, with a press release claiming these would commence in 2012. as the fear ratio, broom and ruskin delve into the hinterland of contemporary music. a space where cold atmospheres meet lush melody and tough, yet clipped pulsating beats. from the warm poly-rhythmic funk of >ax< to the deep spatial reverb of >guv 1<, the dub induced strains of >pinhead< and melancholic refrain of >morning blues<, ruskin and broom deliver their new artistic agenda

joe goddard is surely one of the busiest men in the world of electronic music: writer and producer behind the world-conquering hot chip, acclaimed solo artist, travelsome dj, prolific remixer, one half of the emerging 2 bears house duo and one of the founding members of the greco-roman record label and party collective. goddards first solo material in 18 months should open with a chorus of angels, before title track >gabriel< strides confidently into familiar territory of londons clubland and its rich musical influences, this time goddard choosing gospel and house as his parameters to create a bone fide underground radio and club hit which currently sits on the bbc radio 1 playlist.

on intransigents 17th vinyl release, current value shows a bit of his musical side, while dj g-i-s exactly knows what to do to make a massive club banger out of this charming tune with snows lovely vocals. long awaited and now finally here: intrec017!

producer oliver ho aka raudive is not a dark horse. two years after his acclaimed abc ep he returns to rrygular with his new release >love is the devil<. straight and facing forward but also back to the roots somehow. that doesnt need to be a compromise. it is a symbiosis that works absolutely fine in case of this particular 2-tracker. like always the englishman knows how to use percussion elements without getting cheesy. a certain reference to electro is obvious but it underlines the typical dirty raudive sound rather than trying to be referential. but who needs genres anyway? club-disco-techno-house-funk-electro - some kind of monster!

dj t. gave us his fine album, the pleasure principle last winter. since then ts given controls to top producers for high grade remixes. this time daniel bortz, clockwork and dj t. himself take on >leavin me feat. khan<. jump right into things with the clockwork remix, a sweet blend of house-party amience and maintime club sensation. the rhythm alone could keep us dancing for hours, that mixed with the itchy bassline and arousing vocals, ensure that no one is feeling anything else. clockwork delivers a solid remix, more than worthy of >leavin me<. the b side shows daniel bortzs remix in full view. right away, a full beat pulling you into the rhythm, building to the entrancing chord play. the vocal lines give a sensual tone to the mix,. right at home in berlins watergate or a closing party on ibiza, this track carries us on, while the night hours fade to early morning. t.s > left with attitude mix< finds us in the deepest of nights, where flashing lights illuminate our ecstatic faces. heavy piano chords roll and the beat fades, pure sound. the kick brings us back to earth. t. meets us at the part when you realize you have found what you are looking for and all is right in the world

the great strength of feindrehstar lies in their engaging and dynamic live-show on the stage. if you see them once, you must see them again. whether metalhead with a glass of beer, a dreadlocked queen or standard- issue club-goer, this band moves everybody. that feindrehstar also crafts music that from its source warmly hugs the listener is another plus they have going for them. these are supported on the latest from musikkrause by producers such as axel reinemer (jazzanova), michel baumann (soulphiction) & wendelin weiflbach (metaboman, krause duo).

nice price deal !!! the first release from il bosco aka christian wood aka woody aka crowhead aka nudge! a man of many names he has been part of the make up of manchester club land for many years. he was resident dj at fat citys infamous friends and family night & a recording artist for grand central and aim’s atic records during the noughties. after a couple of years hiatus he’s back out of the studio with four tracks and taking a new direction. the tempo is up and a mutation of old school rave, italo, house and electro is in the offing.

chicago native producer joey kay, and well-known poland producerand d.j. aphreme duel it out on stylistic recordings styl#003 high-riser extended play vinyl 12 inch. the title track to this e.p. is a1 in tracklisting >high-riser (skyscrape edition), with aphreme and joey kay bumpin the deep house chicago style, with joey kay engineering and co-producing aphremes great jazzy song. joey also plays intricate piano leads, and layers of extravagant synths and strings, dueling with aphremes main concept. a great floor filler, jazzy mixed with chicago deep house and peak club blend

slamming four track vinyl compilation with strong floorfriendly house

incl. tracks by alejandro vivanco & dorian chavez and mobius strum & dorian chavez!
chile is a country with several well known producers of electronic music. this time we have a collaboration between chile & costa rica with 3 artists on 1 ep. dorian chavez is resident in chiles old and well known club la feria for a long time and teamed up with alejandro vivanco and mobius strum (costa rica) for this release. 4 house to deep techhouse tracks right for the floor.

music man records is proud to present the long awaited second mix-cd from marcel dettmann, resident at the notorious berghain club in berlin since even before it was called like that, and one of the key artists on their label ostgut ton. marcel dettmanns previous mix-cd was named best mix-cd of 2008 by resident advisor. last year he released his debut album dettmann to high critical acclaim. in the meantime he is also building the profile of his own label mdr, and of course he stays one of the most in demand remixers around.
the tracklist of conducted includes again a mixture of new to be discovered talents, old to be re-discovered gems, and a few usual suspects, such as sandwell district, redshape or shed. conducted is a timeless mix from one of the most important players in todays techno scene.
this is the first of two vinyl samplers, including tracks by bluemoon productions (1990!), morphosis, signal & fbk.

music man records is proud to present the long awaited second mix-cd from marcel dettmann, resident at the notorious berghain club in berlin since even before it was called like that, and one of the key artists on their label ostgut ton. marcel dettmanns previous mix-cd was named best mix-cd of 2008 by resident advisor. last year he released his debut album dettmann to high critical acclaim. in the meantime he s also building the profile of his own label mdr, and of course he stays one of the most in demand remixers around. the tracklist of conducted includes again a mixture of new to be discovered talents, old to be re-discovered gems, and a few usual suspects, such as sandwell district, redshape or shed. conducted is a timeless mix from one of the most important players in todays techno scene.
this is the second of two vinyl samplers, including tracks by cheeba starks (1996!), vril, the analogue cops & answer code request.

following his dream ep release last year that featured an amazing j.t.c. remix, juanpablo drops us this time another especial production called mother mountain ep that shows clearly how hard he is pushing to create his own beat. last year his song dream was reviewed by some specialized media as hard to describe but easy to love and we think that the mother mountain track on this record will get a similar description. sea people is the second track and for this song juanpablo has invited spanish producer vinz vincenzo to collaborate with him in the production. this artist has been around for a long time and has made a lot of music in many different types that are far away from electronic genres which gives a plus to the end result of this production. and lastly, we have a remix of mother mountain by the mythic spanish producer arcanoid who has released on labels such as tesla, semantica, etc. his remix is pure techno, very hypnotic, dark and mental but always with his personal touch. probably the most club oriented tune on this record.

part iii boasts contributions from portland, oregons performance art and house music group the miracles club (following releases on cut copys cutters label and famed mexican summer), wurst vet nick chacona - here with longtime partner anthony mansfield, and neurotic drum bands ulysses. the miracles clubs >i cant help it< is a heart-wrenching, ethereal ballad set atop a rock solid, chicago house-inspired rhythm section. easily the deepest cut to emerge from the nick chacona and anthony mansfields fun-filled studio sessions, >tase the wizard< is tailor made for desert raves and smoky basement clubs alike. >soular power< sees ulysses at the top of his talents, bringing the tempo way, way down for a slow-burning balearic beast.

while dominik eulberg utilized the broader canvas of the album format to develop complex sophisticated compositions, rich of melodies and of intricate details, it was time to boil it down to a bit of a club formula. stephan bodzin, a favourite producer of eulberg, has chosen the clubbiest track of the album >teddy tausendtod< and transformed it into a after hour monster. installing a feeling of electricity with sounds of the original that hover on a layer of huge bass and powerful arrhythmic kicks... it has resulted into a hypnotic anthem.

g.h. is gary howell, longtime associate of modern love as one half of pendle coven and sometime contributor to the hate project. the ground ep features howells first material produced outside of pendle coven and takes on a much darker, more stripped down aesthetic - making use of location recordings amassed over the last decade. the title track extends over 7 minutes from a solitary bass pulse into a slow, three dimensional industrial reduction heaving with uncomfortable bass weight and a sense of nervous expectation. its like the bare, skeletal noise framework for darkest junglist hardcore stripped of its percussion - all bar a bass drum and intense shards of noise. albedo has more of a swing to it, dominated by a growling bassline and the metallic clunk of disjointed percussion at odds with the squashed funk lurking somewhere at its core. the template is extended on earth, a brilliantly discordant club variant that sounds like an r&b mastertrack exploded into 100 constituent parts and put together not entirely in the right order. it builds and collapses into itself, a stylistic oddity that at one and the same time brings to mind boards of canadas re- working of colonel abrams - trapped and the extreme frequency vortex of the raster noton lab

new album by dj mehdi. born, raised and based in paris, dj mehdi has been producing major french hip-hop artists since 1995 while making great noise (and platinum albums) with his bands ideal j and 113, remixing various electronic acts and composing soundtracks for many french and international films. signed to pedro winters ed banger records, he has released his first full-length lp in 2002 (>the story of espion< virgin), and is about to drop lucky boy around april 2006. new single i am somebody features vocals from canadas finest chromeo and remixes by kenny dope from the mighty masters at work. resident dj at paris legendary pulp club and on radio fg, he now tours all around with busy p and justice.

another superb love record filles with trancey atmospheres and epic breaks. this is one that will go off in the club at peak time. the a side is the ultimate banging club record that is both a very uplifting track and also a straight forward steamer. the flipside hot n old is a rather hard katy perry bootleg with a very mysterious intro that will leave you dazzled once the drums kick in. also this side is very atmospheric and trancey again. perfect for the winter, the roaring bass on this is enormous.

next up in studio barnhus split coloured 10 inch series (the previous installment was acid andy and axel boman on yellow vinyl) is handsome newcomer hnny and barnhus very own desperado kornel kovacs. on the a side, hnny takes a saccharine rnb cover of perhaps the greatest power ballad ever and turns it into a perfect little edit – as simple as it is inspired, this is an obvious end-of-the-night-turn-the-lights-up-in-the-club-anthem if we ever heard one. on the logo side, kornel kovacs brings the heat with down since 92 - a bass-driven, vocal-laced pop house song about hate, love and jealousy. break it down! red vinyl, no digital - limited to 300 copies worldwide. barnhus bang the party once again! freshness.

brilliant piece of vinyl... 1st track = phat berghain styled techno , and fred p reshape and b side track > testament< are just a fantasic deep house productions. delicious decks tip!

limited edition , a classic club landmark, > moonwalk< is reissued here as the latest installment of slow to speaks core series, a fine testament to the expansive, totally-mesmerizing sound of authentic deep house music at its point of inception in the sweaty, blacked-out club-spaces of the ny metro-area and beyond.

laurent werys clubhit >hey hey hey< has been around for over a year in clubs all over the world. the track gets a refix with the appealing vocals of dev (known from the hit >like a g6< by far east movement).

following their remix of ludwig coenen for tlm022 and a string of celebrated releases for nachtstrom schallplatten and perc trax, toronto s frederik hatsav and jamie kidd rejoin the thoughtless fold under their metalogic guise. enlisting new york techno veteran dietrich schoenemann on the title track, the trio delivers a sleek combo of pure analog bass and metallic percussion, resulting in an unrelenting yet stripped-down futuristic club workout. overseeing remix duties is techno legend bryan zentz. his first of two solutions, the empty vessel dub dives deep into late-night territory, employing the irresistible bass line of the original and embellishing it with sparse synth work and echoing atmospheres to stunning effect. as a digital bonus, zentz offers up the kenosis shuffle mix, providing added bounce with a boosted low-end while taking a house-leaning approach in the drum department and adding detroit-style stabs for good measure. on the flip, dark shines is a heady ride, intoxicant atmospheres and dynamic yet subtle arrangements solving as a mystical techno prime. whether exploring the outer reaches of modern techno or twisting up their uniquely abstract take on tech-house, the result is pure quality..

after gunnar stillers latest release- the upon you 050- had been served together with marcus meinhardt, wich grew on quite a few dancefloors to a club hit, everyone is of course curious to know what he will put on the dancing feet next. the a1 title >way to wollongong< has been inspired by his australia-tour last year and is tying smoothly on to the agility of his former releases. >antipodians< on side b1 is therefore taking more time for the housework and is sprouting his introspectively chords through the bush of the outback. the remixes are coming from our upon you shooting star marcus gehring who adopted to wollongong and timid boy who is doing the digital exclusive remix.

since the last senking album >pong< (r-n122) was a great success in 2010 and sold out quickly raster-noton swiftly asked for a follow-up of massels sound cosmos. on >tweek< senking again reveals his sense of cineastic atmospheres and dark abysmal depths of sound, which are subordinate to extremely slow choky basses and delayed beats. references to dubstep are rather the result of testing the outlying areas of the frequency spectrum than a direct relation to the genre. nevertheless it seemed very obvious to release senkings sound on 12inch vinyl to follow the footsteps of >plasticstar< (r-n081) and >pruitt igoe< (r-n124), >tweek< is meant to be a dj-tool for a club environment. >tweek< refers to a character of the well known us series >southpark<, who plays with feelings of incertitude and nervous decease. the album documents the eagerness to experiment and indicates astonishing ideas shining through the dark substance. the tracks even reveal cheerful and comical features.

this 7 inch record released by lo fi funk records contains two skweee tracks which are going deeper in the main lines that this artist has been developing in previous productions. poly july is low tempo track with vibrant synth lines built over a minimalist rnb drums base, resulting in an hipnotic beat with pure funky flashes. moon braggin is full of huge sub bass waves, typical of the new club music and crazy, doubled tempo percussion tracks which forms a mental song, with an epic atmosphere made with floatting oriental synthesizers tunes.

simoncino an ultra talented producer from italy with this warrior dance ii will feature on a side his 2 brand new tracks: one cover of marshall jefferson as jungle wonz >time marches on< & >ingas crème<. on b side, we have the very very big honor to get 2 extraordinary remixes from the legendary chez damier, that will remind us whats house music is all about ! a club mix of >ingas creme< & another atmospheric, deep as hell version. useless to say that simoncino is on top right now & is writing some future & clut club classics. just wonderful!

the lab, nrks mix series devoted to the worlds most cutting edge djs and forward thinking sounds, returns this autumn with an instalment compiled and mixed by undoubtedly one of the scenes most talented, charasmatic and brightest stars.
hailing from the suburbs of detroit, seth troxler has made an incredible journey over the last few years, from the local dj spots at detroits the works club and behind the counter service at the famous melodies & memories record store, to the most top drawer nights and clubs across the world, such as fabric, panorama bar, dc10, the rex et al.
this 4 track sampler features the always talented andrew weatherall on the remix of radioactive mans germanic new-beat style >fed ex to munchen<, the minimal ambience of arks >arkquarium<, crosstown rebels/wolf & lamb artist deniz kurtel on the remix of chaim, and the truly magnificent cowboys & indians inspired minimal house of unds >rodeo<.

the man behind manchesters ever present el diablos social club does it again! vol 1, released in october last year sold out in a matter of days.
volume 2 sees neil once again digging out the tried and tested floor fillers & diablos favourites for respectful modern makeovers.
guaranteed party rockin double a - limited as hell, and twice as hot!

heavily steeped in classic detroit influences, but fused perfectly with contemporary urban and disco tinges that melt into a single and unique sound...the mysterious klic announces his arrival on the house scene with a highly impressive debut on home taping.
>disco music< borrows from here, there and everywhere as it glides, hisses and nods its way on a heavy groove-based journey through sound. on the flip >bump< grinds, wobbles and teases every ounce of rhythm it can then pumps it out through its deep grooves as it longs to be free.
100% house music with bits. play it all night long!
dj support: leo zero, chris duckenfield, 6th borough project, luke solomon, nicholas, jazzanova, llorca, rob mello, cottam, harri, jimpster, kiko navarro, stu patterson, andy ash, red rack em, social disco club, deep space orchestra

the third release on the world unknown label is a very meaty affair that coincides with the second birthday of the club night in brixton. on side w timothy j. fairplay fuses ancient egypt with late 80s belgium and drops it slap bang into the near future with the monolithic techno beast that is >cleopatra loves the acid<. its already been played in discos and on the bbc by andrew weatherall, for whom tim handles engineering and co-production duties in his day job, and is set to become a pounding anthem on the more adventurous dancefloors over the coming months. side u is a more throbbing psychedelic affair. kalidasa is the production alter-ego of tim rivers who runs the always excellent theacidhouse.com website. it<s exactly the kind of heavyweight midtempo tune that causes sweaty pandemonium at world unknown. if the word balearic still meant now what it did to from 87-92 then thats precisely what youd call this, most likely with the prefix >heavy<. but it doesnt so you cant, or can you?

spinned by butch, hanne & lore, daniel sanchez, mihalis safras, ron flatter, hermanez & many püppis more! pimprinella flips and splits the coin! double-head-ep pimprinella003 welcomes two great talents in our rooster, stereo express (la vie en rose) from belgium and jeahmon (ostwind) from germany. according to his amazing munika ep mister oliver schleenvoigt bombs again with his remix for out of the river, a huge club machine. and we are proud too to say hi to los suruba, two uprising guys from spain, heads of suruba records and production partners of uner and edu imbernon. we are püppi

our upon you sweet & sour series likes to introduce to you fresh artists. this time the spaniards melohman and javi bora brought us three dance floor rockets who can t wait to be launched into the club-cosmos. the two crew-members have already started from 20:20 vision and bring with >calle cala< proof of many completed flying lessons. an edit on a1 and the original title on b1. b2 is reservated for a >calle cala< remix from producer tuccillo, who s living in ibiza at the time. he is known through various releases on well respected labels like: isgud, circus company and delusions of grandeur.